Vintage Poster
The Good, the Bad and the Ugly

21,99€

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Immerse yourself in the unique atmosphere of Sergio Leone’s spaghetti western with this superb The Good, the Bad and the Ugly Movie Poster!

  • Paper Feature:
    • 🎨 Canvas: global standard in terms of printing and imitating a “painting canvas” look.
    • By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
    • ✅ Size: Multiple choices available. ✅
  • High UV resistance.
  • Color vibrancy maximum, glare-free.
  • Paper recycled, guaranteeing environmental friendliness.
  • Poster packaged carefully and delivered in a protective tube for Total protection.
  • FREE STANDARD DELIVERY.

⚠️ Frame not included. ⚠️

Description of this The Good, the Bad and the Ugly Movie Poster

“The Good, the Bad and the Ugly” is the spaghetti western by Sergio Leone that concludes the Dollar Trilogy. Clint Eastwood, Eli Wallach and Lee Van Cleef play the main roles. The film was shot in 1966 in Italy and Spain. The film was a box office success in Italy and the United States. A restored and retranslated version was released digitally in 2003.

The film is a prequel to the previous films in the trilogy[~1]. The story is about three hunters searching for Confederate gold lost during the American Civil War.

Upon its release, the film received a generally negative critical reception. Experts negatively assessed the excessive violence, double standards, and questionable editing. The film was almost never shown at festivals due to a somewhat prejudiced view of Spaghetti Westerns, which were considered secondary and exploitative cinema. Since the mid-1980s, critical opinion has gradually changed, and the film has been acclaimed as one of the best works in the history of the genre. Roger Ebert gave it top marks and called it a masterpiece of cinema. It has been ranked as one of the best Westerns and the best film of all time. Eli Wallack’s performance as Tuco the Bandit has been hailed as one of his most flattering.

The film profoundly influenced the aesthetics of the neo-Western and cinema in general. Stephen King, Quentin Tarantino, Nikita Mikhalkov, and other artists have all stated that Sergio Leone’s film had a major impact on their art. The work of composer Ennio Morricone has also been praised. The film’s leitmotif, stylized as a coyote’s howl, is considered one of the most recognizable tunes in cinematic history.

The action takes place in New Mexico during the Civil War, in 1862. The plot centers on the fate of the three main characters, outlaws who discover the disappearance of Confederate gold.

The bandit Sentenza shows up at the farm of retired soldier Stevens. On behalf of a man named Baker, he asks Stevens for information about a missing man named Jackson. It turns out that Jackson changed his name to Bill Carson and joined the Confederate army. Stevens mentions that Carson stole a large sum of money from someone, which is apparently why Baker is looking for him. Sentenza kills Stevens, then Baker, and goes on his own in search of Bill Carson.

Meanwhile, the second bandit, Tuco, wanted by the local justice system, comes across a group of bounty hunters in the desert. They apprehend him, hoping to collect a reward. An unexpected gunman, whom Tuco calls “Blondin,” guns down the hunters, but delivers Tuco himself to the authorities for the promised $2,000 reward. However, as he is being executed by hanging, Blondin breaks the rope with a gunshot, freeing Tuco, and then splits the money with him. The two men make a deal, organize similar scams in several towns, and split the reward. Tuco is unhappy about only receiving half, even though he takes more risks. Blondin is fed up with his constant complaining and, after telling him he’ll never be worth more than $3,000, leaves Tuco alone in the desert.

Tuco miraculously survives and seeks revenge. He eventually catches up with Blondin and takes him by surprise when he sets up a familiar scam with another partner. Tuco pursues Blondin into the desert, taking advantage of his tormented thirst. When Blondin is on the verge of death and Tuco is about to shoot him, a car with dead Confederate soldiers suddenly appears nearby. Tuco leaves his prisoner and searches the pockets of the dead. One of the soldiers turns out to be still alive. He calls himself Bill Carson and talks about the stolen money from the Third Cavalry Regiment: $200,000 in gold buried in the Sad Hill Cemetery [~2]. Bill Carson is silenced. While Tuco runs to get water, Carson manages to whisper the name of the grave under which the gold is buried to Blondin, who is half dead from dehydration, and dies. Tuco has no choice but to get his partner out. They both disguise themselves as Southerners and go to the Monastery of San Antonio, where Tuco meets his brother, Reverend Pablo Ramírez. The blond man recovers, they leave the monastery, and on the way, they are captured by a Northern Army patrol.

During roll call at the POW camp, Tuco answers as Bill Carson, which attracts the attention of the overseer, Sentenza. Under torture, Tuco learns the name of the cemetery and that Blondin knows the name of the grave where the gold is buried. Sentenza makes a nonviolent agreement with Blondin, offering equal shares. Blondin accepts. He leaves with Sentenza and his gang, and they find themselves in a war-ravaged town. Tuco manages to escape over a railroad crossing and ends up in the same town where he meets Blondin. They renew their partnership and, together, exterminate all the men in Sentenza’s gang, except for the leader himself.

On their way to the treasure, Tuco and Blondin arrive at the Northmen’s location near the river. Tuco tells them they have come to volunteer, and they are eagerly accepted. It turns out that the fighting is taking place on a narrow bridge. Reasoning that if the bridge is destroyed, “those idiots will go fight somewhere else” and the path to the target will be clear, they steal a box of explosives and blow up the bridge. During this risky operation, Tuco persuades Blondin to reveal information they both know: Tuco gives the name—Sadhill Cemetery—and Blondin gives the name on the grave—Arch Stanton.

The first to reach the cemetery, Tuco finds Arch Stanton’s grave among the headstones and begins digging with his hands and broken planks. Blondin appears and throws him a shovel. Moments later, an armed Sentenza appears and throws him a second shovel. There is no gold in the grave. Blondin announces that only he knows the true name and location of the treasure and proposes that the impasse be resolved by a duel. He writes the name on a stone and places it in the center of a singular arena in the middle of the cemetery.