Discover this poster for Le Solitaire, a cult action film starring Jean-Paul Belmondo. Dive into a dark and intense world, where Belmondo plays a lone vigilante on a quest for revenge. An iconic poster that captures the tense atmosphere and raw emotion of the film.
- Paper Feature:
- 🎨 Canvas: global standard in terms of printing and imitating a “painting canvas” look.
- By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
- ✅ Size: several choices available. ✅
- High UV resistance.
- Maximum color brilliance without reflections.
- Recycled paper guaranteed environmental friendliness.
- Poster wrapped carefully and delivered in a protective tube for total protection.
- FREE STANDARD DELIVERY.
⚠️ Frame not included. ⚠️
Description of this Poster Le Solitaire
Le Solitaire is a 1987 French crime film directed and written in part by Jacques Deray, starring Jean-Paul Belmondo.
Police officer Stan Jalard and his colleague Simon Lecache are fed up with police work. They toy with the idea of leaving the police service to run a hotel in the West Indies. Single father Lecache has already questioned his son Christian about it. But the very night Lecache tells Jalard that his son approves of their plan, Lecache is murdered by professional killer Charly Schneider.
Jalard changes his mind. He devotes his life even more to police work. After two more years, he was promoted, but he hasn’t had the chance to get Schneider yet because Schneider has disappeared. Eventually, Schneider returns to France and commits crimes. He also threatens Jalard over the phone and later destroys his apartment. He even sends someone to shoot Jalard and his godson Christian in the street.
Jalard identifies Schneider’s new accomplices and puts them under pressure. Step by step, he gets closer to him until he can confront him in his hiding place. Schneider refuses to show any regret, escapes, and steals a car. He tries to run over Jalard, who arrests him anyway. Now that Jalard has brought Christian’s father’s murderer to justice, he allows Christian to call him “Dad.” He, who constantly put his godson in boarding schools and lived only for his police work, now demonstrates a change of priorities. When they return home, Jalard puts a police siren on top of his car and drives wavy lines just because it obviously amuses little Christian.