The sublime Jane Fonda will give a sexy and elegant touch to your interior decoration thanks to this magnificent Barbarella Movie Poster!
- Paper feature:
- 🎨 Canvas: global standard in terms of printing and imitating a “painting canvas” look.
- By default, the poster contains a 4cm white border for framing (frame not included). If you don’t want it, please choose “without white border”.
- ✅ Size: Multiple choices available. ✅
- High UV resistance.
- Color vibrancy maximum, glare-free.
- recycled paper, guaranteeing environmental friendliness.
- Poster packaged carefully and delivered in a protective tube for Total protection.
- FREE STANDARD DELIVERY.
⚠️ Frame not included. ⚠️
Description of this Barbarella Movie Poster
Barbarella is a 1968 science fiction film directed by Roger Vadim, based on the French comic book series of the same name by Jean-Claude Forest. The film stars Jane Fonda as the title character, a space traveler and representative of the United Earth government sent to find scientist Durand Durand, who has created a weapon capable of destroying humanity. The cast also includes John Phillip Law, Anita Pallenberg, Milo O’Shea, Marcel Marceau, David Hemmings, Ugo Tognazzi, and Claude Dauphin.
Having expressed an interest in comic books and science fiction, Vadim was hired to direct Barbarella after producer Dino De Laurentiis purchased the film rights to the comic book series. Vadim attempted to cast several actresses (including Virna Lisi, Brigitte Bardot, and Sophia Loren) for the title role before settling on his then-wife Fonda. A friend of Vadim’s, Terry Southern, wrote the initial script, which changed considerably during filming and led to seven other writers being credited in the final version, including Vadim and Forest, the latter of whom also worked on the film’s production design. Filming on the film began immediately after the completion of another adaptation of De Laurentiis’s comic book, Danger: Diabolik, with the two films sharing several cast and crew members.
The film was particularly popular in the United Kingdom, where it was the second-highest-grossing film of the year. Contemporary film critics praised Barbarella’s visuals and cinematography, but found its plot weak after the opening scenes. Although several attempts at sequels, remakes, and further adaptations were planned, none went into production.